Click Here ===> https://tinurll.com/2tuVsT
Lucio Battisti: The Best of All Time
Lucio Battisti was one of the most influential and popular Italian singers and songwriters of all time. His music spanned various genres, from pop to rock, from soul to progressive, and touched millions of fans across generations. He was also a pioneer of the concept album in Italy, creating works that explored themes such as love, death, politics, and spirituality.
In this article, we will review some of his greatest hits and best songs that showcase his talent and versatility. Whether you are a longtime fan or a newcomer to his music, you will find something to enjoy and appreciate in his rich and diverse discography.
Emozioni (Emotions) is Battisti's second album and his first collaboration with lyricist Mogol, who would become his main partner for the next decade. The album features some of his most famous songs, such as \"Acqua azzurra, acqua chiara\" (Blue Water, Clear Water), \"Dieci ragazze\" (Ten Girls), and \"Emozioni\" (Emotions). The album is a mix of pop, folk, and soul influences, with catchy melodies and poetic lyrics that express Battisti's feelings and thoughts.
Il mio canto libero (1972)
Il mio canto libero (My Free Song) is Battisti's fourth album and one of his most successful ones. The album contains some of his most iconic songs, such as \"Il mio canto libero\" (My Free Song), \"La canzone del sole\" (The Song of the Sun), \"Io vorrei... non vorrei... ma se vuoi...\" (I Would Like... I Wouldn't Like... But If You Want...), and \"E penso a te\" (And I Think of You). The album is a masterpiece of pop-rock, with sophisticated arrangements and lyrics that reflect Battisti's personal and social views.
Anima latina (1974)
Anima latina (Latin Soul) is Battisti's sixth album and one of his most experimental ones. The album is a departure from his previous style, incorporating elements of Latin music, jazz, funk, and progressive rock. The album consists of seven long tracks that form a musical journey through different moods and atmospheres. The album is considered by many critics and fans as one of Battisti's most innovative and creative works.
La batteria, il contrabbasso, eccetera (1976)
La batteria, il contrabbasso, eccetera (The Drums, the Double Bass, Etcetera) is Battisti's eighth album and his last collaboration with Mogol. The album is a concept album that tells the story of a musician who leaves his band and his girlfriend to pursue his artistic dreams. The album features some of his most complex and ambitious songs, such as \"Ancora tu\" (You Again), \"Nessun dolore\" (No Pain), \"Davanti a un distributore automatico di fiori dell'aeroporto di Bruxelles anch'io chiuso in una bolla di vetro\" (In Front of a Flower Vending Machine at Brussels Airport I Too Closed in a Glass Bubble), and \"La batteria, il contrabbasso, eccetera\" (The Drums, the Double Bass, Etcetera). The album is a masterpiece of progressive pop-rock, with intricate musical structures and lyrics that explore themes such as love, loneliness, freedom, and art.
E giÃ (1982)
E giÃ (And Already) is Battisti's eleventh album and his first collaboration with lyricist Pasquale Panella, who would become his main partner for the rest of his career. The album marks a radical change in Battisti's style, adopting a more minimalist and synthetic sound. The album features some of his most original and provocative songs, such as \"E giÃ \" (And Already), \"Con il nastro rosa\" (With the Pink Ribbon), \"Straniero\" (Stranger), and \"PerchÃ no\" (Why Not). The album is a challenge to the mainstream music scene, with unconventional melodies and lyrics that play ec8f644aee